Four Rules Every Piano Accompanist Should Know

If you spend enough time mastering the art of piano, you’re undoubtedly going to accompany other musicians – singers, instrumentalists, and groups like quartets, etc. Most states have solo competitions where musicians play music for a judge that often includes piano accompaniment. Many churches hire pianists and organists to accompany their choirs, and other events weddings often need the services of a well-trained pianist. When I was in my teens I used to play at weddings and funerals and places like Rainbow Girls as well as school functions and church, and I accompanied literally hundreds of singers and musicians during that period in my life.

Some pianists may not envision themselves as full time accompanists, but many professionals make a career out of working for colleges, universities, schools, churches, and individuals in this role. Full time accompanists who establish themselves as skilled in this art can demand high salaries.

But like every other skill, there are plenty of accompanists eager to make a few bucks but very few who are skilled at the art—and make no mistake, it’s an art! What do you need to know about accompanying? Here are a few pointers to get you started.

It’s not about You!

An accompanist’s only job is to make the soloist or ensemble sound good. Their parts should always be in the background unless the music calls for the piano part to become the main focus. Even when that happens, don’t play as a soloist. Tastefully play slightly louder but don’t make it all about you. Often you’re playing by yourself to give the soloist time to rest. Only then should you play somewhat louder.

Use the Soft Pedal

It’s sometimes difficult to play soft enough in the sections that call for soft dynamics especially if the room is small and the piano is big. Accompanists are always ready to use the soft pedal to make the piano even softer. Make sure to practice with this pedal prior to the performance if you’re not used to playing with it.

Keep the Lid Down

If the room is small and the piano is big, it’s appropriate to keep the lid down on a grand or baby grand piano. If the room is larger or the instrument is loud, lifting the lid to the lowest position is often appropriate. Rarely will pianists life the lid all the way when accompanying. This is reserved for solo performances or performances with large ensembles. Of course this is not a hard and fast rule. A good accompanist thinks about these small details.

Omit Notes

Remember that the performance isn’t about you. If the accompaniment music is a transcription of an orchestral score, sometimes there are more notes than you’re able to play or the part is so thick that it’s impossible to keep the focus off of you. In these cases, don’t be afraid to omit notes. A good accompanist knows which notes can go and which have to stay but always make a decision that is best for the soloist or ensemble.

Finally:

Of course, the most important rule is to know your part and know it well. It’s likely that the soloist will be nervous and may skip lines, come in early, or look to you for help or guidance. You can’t help your soloist if you’re trying to figure out your own part. Last, make sure your soloist tunes to your piano before playing.